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El Dorado Home Wine Making Website - Home Wine Making Information and Wine Recipes

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Wine Making Information

ACID ADJUSTMENT DECISIONS

by Jeanne L. Hintze
Wine Maker/ Goathill Winery

To malolactic or not to malolactic..., that is only (1)one question of a complex array of options for optimizing wine acidity. These decisions include: (2)when to harvest and (3)when to add (4)how much (if any) of (5)which acids, as well as (6)acid stabilization.

Monitor Brix (with refractometer or hydrometer) and TA (total acidity in grams /liter of Tartaric Acid) to determine when grapes are ripe. Simple acid test kits work well for TA determination and will provide specifics on quantities, while our club handbook provides conversion factors for the units you choose to work with. It is best to clarify musts by refrigerating the sample overnight and testing a racked portion. Be careful to only use distilled water, or at least boiled water to minimize errors due to CO2 when diluting must samples to readable levels.

Jeff Cox recommends aiming for a Brix to TA ratio in the range of 30:1 to 35:1 at harvest, but even when Nature complies, adjustments may be required. Avoid using under ripe grapes, with too high of an acidity. Dilution with water (boiled to remove chlorine), blending with lower acidity wines or chemical adjustments using calcium carbonate to lower TA levels produce wines of lesser quality. It is more convenient to harvest grapes at the desired Brix for the style of wine intended and add acid, when necessary. A good rule of thumb is to initially adjust to TA of .55 to .60 for reds and .65 to .70 for whites. Remember that as grapes ripen the acidity goes down, so your later harvest musts will tend to need more acid added.

Given a choice, it is easier to adjust for the lower acid levels of slightly over ripe grapes, than to lower the much higher acidity in very under ripe grapes.

Acid blend is a mixture of approximately 50% Tartaric acid, 30 to35% Malic acid and 15 to 20% Citric acid, which is close to the naturally occurring proportions or these acids in the grape. Using the blend is convenient for raising the acid level of musts or wine, with the following considerations. The molecular weights of these three acids are different, so for the addition of accurate amounts of H+, use 85% as much citric acid as tartaric acid or 89% as much malic as tartaric acid. Tartaric acid is recommeded for initial acid additions prior to primary fermentation, because it is not metabolized by wine bacteria and yeast as are Citric and Malic acids. However,

Tartaric acid is not recommended for final adjustments prior to bottling, because Tartaric acid solubilitydecreases with increased ethanol concentrations and colder temperatures and is therefore likely to crystalize out as bitartate (‘wine diamonds’, essentially cream of tartar crystals). Cold stabilization (2-3 weeks @ 32 F or 3-4 months at <40F) prior to bottling will precipitate any insoluable Tartaric acid, but then acid levels would need to be re-evaluated. Citric acid is the better choice for final acid adjustments prior to bottling because of its higher solubilty in the presence of ethanol. However, working with

Citric acid initially may lead to the generation of acetic acid (vinegar) during the primary fermentation. Malolactic fermentation reduces wine acidity by as much as 1/3 of the total acid concentration, and is an excellant choice for high acid musts and to add characteristics of fine Bordeaux and Burgundy wines. When to use Malic acid for increasing acidity would be dependant on your decision of whether to use this secondary fermentation, which converts Malic acid to Lactic acid (characteristic of buttery chardonnays), and carbon dioxide gas, diacetyl, and acetoin. Add Malic acid ONLY before adding the malolactic culture. Even if you opt to try to avoid malolactic fermentation, allow enough time for spontaneous malolactic (6 months? or test using paper chromatography). To avoid malolactic fermentation, keep it out of your winery! Once used it is extremely persistant and often spontaneously occurring. Keeping wine pH at less than 3.3 will help to inhibit malolactic. While wine developing a slight spritz after bottling might be charming, it is also unpredictable, and may become turbid, high in sediment, and (most insidiousl) may pop corks. Do not use Malic acid or acid blend containing Malic acid for any acid adjustments just prior to bottling. Use Citric acid for those final acid adjustments.

Malolactic Fermentation


WHAT IS IT? Malolactic fermentation is the conversion by bacteria of malic acid into CO2 and lactic acid.

One gram of malic acid converts roughly into 0.67 grams of lactic acid and 0.33 grams of CO2.

WHY USE IT? There are several reasons:

  1. The primary reason for using malolactic fermentation is to reduce acid in red wines and some selected white wines by organic rather than chemical means.

    Typically both red and white grapes grown in B.C. are characterized by low pH and high TA, both in combination indicating that the malic acid is probably higher than the tartaric acid.
     
  2. The chances are that if it is not used under controlled conditions, it will happen spontaneously, usually after the wine has been bottled.

    This is the phenomenon where wines "awaken" in the Spring when temperatures begin to rise. By this time, the pH is usually higher than it was before fermentation and SO2 levels have been reduced.
     
  3. A wine high in malic acid is naturally more acidic; therefore, the greater the reduction the smoother the wine.
     
  4. The more aggressive and pronounced malic acid is replaced by the less aggressive lactic acid.
     
  5. The young wine loses its hard and acidic edge:- its colour loses some of its vividness,
     - the grape odour becomes richer and more vinous,
     - wines become more mellow and full-bodied
     - wines tend to become buttery as a result of the formation of diacetyl during the malolactic fermentation.

    The latter phenomena are stylistic reasons for using malolactic fermentation.

SHOULD IT BE USED ON ALL RED AND WHITE GRAPES?No.

Typically malolactic fermentation is used only on red wines destined for aging and selected white wines such as Chardonnay, Pinot Blanc and Pinot Gris. Wines such as Gewurztraminer, Ehrenfelser, Riesling and other wines noted for their aromatic characteristics should not undergo malolactic fermentation, as they depend upon the malic acid to enhance their flavour components. They are also typically higher in acid than wines destined for table use as they also usually have residual sugar that offsets the higher acid.

Wines that have undergone malolactic fermentation require lower additions of SO2 to maintain stability than those that have not undergone malolactic fermentation. The former may be stabilized with about 100 - 120 ppm SO2 while those not undergoing malolactic fermentation will require fining and filtering as well as additions up to, perhaps, 150 ppm SO2.

WHAT ARE THE CONDITIONS CONDUCIVE TO MALOLACTIC FERMENTATION?

There are several, some critical:
 

  1. pH is the single most important factor The ideal pH is about 4.0, too high for safe use, but ideal for developing a starter. Normally, the pH for reds should be above 3.3 and for whites 3.4: however, there are strains of Malolactic bacteria available that will work well below these pH's.
     
  2. Temperatures should be above 20 - 30?C. So the best time to inoculate the must with the malolactic bacteria is when the wine is about one-third through the yeast fermentation, as the fermentation process generally maintains that range of temperatures.
     
  3. Low alcohol is also preferred, thus the above-mentioned time of inoculation
     
  4. Unclarified wine is preferred because of the contained nutrients, thus one more reason to inoculate during the latter stages of fermentation.
     
  5. Low SO2 levels are also necessary, usually between 10 and 20 ppm, the amount added during crushing or settling; although, unless the grapes are less than perfect, no SO2 additions are required until either the pressing of the reds or the first racking of the whites.

WHAT MALOLACTIC CULTURES ARE AVAILABLE?

I have used three:

  1. A freeze-dried culture that had to be rehydrated, was quite expensive and generally a pain in the butt.
     
  2. A standard liquid culture of two strains - ER1A and EY2D - from Oregon State University available from Spagnol's. It is easy to use and is efficient at lower temperatures - down to 10?, and lower pH's - down to 2.9. It can be used for both reds and whites by making a standard starter using apple juice which has the ideal pH of 4.0. I usually build the starter to one gallon then start adding grape juice in order to build it up more as well as to sensitize it to the lower pH. I have never had a failure with this culture. A packet costs about $7.50
     
  3. A dried culture - Oenos Viniflora - available from Flory Bosa. A very small amount , about one-eighth of a teaspoon in 25 gallons, is sprinkled on top of the wine. I used it for the first time last year. It works very well without making a starter. However, the larger the culture count, the more efficiently the fermentation will proceed, so this year, I will probably make a starter. It is very expensive, about $85, but it is good for about 1000 gallons and can be kept for about two years in the deepfreeze.

WHY USE A CULTURE?

As stated above, if you don't induce malolactic fermentation, it is likely to occur on its own; therefore, why use a cultured starter?

The answer is the same as for using a yeast culture: both yeast and malolactic fermentations will occur on their own and may, in fact, be quite safe. On the other hand, wild malolactic bacteria like wild yeasts are not always friendly. There are few strains of malolactic bacteria that are friendly such as leuconostoc and oenococcus oeni. Wild strains include pediococcus which produces brettanomyces and lactobacillus which produces a buttermilk character; as well, wild things include acetobacter which produces vinegar.

HELPFUL HINTS

  1. If you have to add acid in order to bring the pH down, use only tartaric not an acid blend. Commercial acid blends contain tartaric, citric and malic acids. Citric acid can promote acetic acid formation. Commercial malic acid contains two forms of malic acid and malolactic fermentation converts only one of them.
     
  2. Do not use any form of sorbate in a malolactic-fermented wine. In the event of renewed malolactic fermentation, sorbate will produce geraniol, an unpleasant geranium-like odour.
     
  3. All my reds undergo malolactic fermentation, but I like to do partial fermentations on my whites if possible. For example and depending upon both the volume and my barrel capacity, I usually put a portion of the wine into a barrel with the malolactic culture and a portion in glass or stainless steel without the malolactic culture. Both are then blended and sterile filtered with an addition of SO2. So far, I have not had any renewed malolactic fermentation.
     
  4. Check the progress using color chromatography.

Hydrogen Sulfide

Hydrogen Sulfide (H2S) has been known to plague winemakers for centuries, but it needn't.  Its causes are as simple as is its cure, if dealt with soon enough after  detection.

There are three primary causes:

  1. Residual sulfur on the grapes as the result of a late spray for powdery mildew;

  2. Some yeasts, such as Montrachet(UCD 522) and some strains of Steinberg, are known to produce higher levels of H2S; and more commonly,

  3. Low nitrogen levels in the grapes which results in higher levels of H2S being produced by yeast cells (all yeasts produce some H2S that is dissipated during fermentation).

Early detection of the rotten egg odour and subsequent racking with deliberate splashing will usually cure the problem, as H2S is highly volatile.  However, in order to reduce the risk of H2S formation, it is wise to add yeast nutrient containing diammonium phosphate (DAP) at the rate of 100-200 ppm during the early stages of fermentation.  Do not add DAP at the beginning of fermentation, as it will overpower the yeast which has not yet had enough time to multiply to full activity.

Failure to treat H2S in its early stages will only add to your problems later, as H2S, when it interacts with alcohol, produces mono-mercaptans (sulfides) which have a range of odours - garlic, cabbage, onion, rubber, skunky - and are more difficult to remove because, unlike H2S, they are much less volatile having become bound through interaction with alcohol.  Even at this stage it is possible to treat the wine and remove the offensive odour, but it is more difficult to do so. One can successfully remove mercaptans in their early stages by a combination of aeration and passing the wine through a Molly MaidÒ copper pot scrubber stuffed into a one-inch piece of plastic (PVC) pipe.  It is absolutely essential that the wine be exposed to as much of the copper surface as possible and that the copper be free from contamination resulting from handling.

If you have not dealt with either the H2S or the mercaptans, then you are in trouble big time because now the mercaptans, if the wine has undergone any oxidation (which occurs during barrel ageing), have formed poly-mercaptans (disulfides) which will not react with copper.  Disulfide odours have been described as asparagus, corn or molasses.  Simply dropping a piece of copper into the wine and swishing it about may affect the mono-mercaptans but it will not have any effect on the poly-mercaptans; and it may work only if the copper is highly polished and clean of any contamination.  If you think the copper eliminates all the odours, you are being swayed by the power of suggestion.  The only way to deal with this problem is to reduce the disulfides back to the mercaptan stage, and there are two ways to do this:

1.     The addition of USP mineral oil will remove the disulfides (see Jackish) because they are more soluble in oil than they are in wine (And then you have to remove the oil.); and

2.     Treating the wine with ascorbic acid which will break the disulfide back down to sulfide and adding copper sulphate (CuSO4.5H2O) solution to remove the sulfide.

Testing before treatment is absolutely necessary because it is possible to confuse the off-odour for Brettanomyces, which has a barnyard odour and cannot be eliminated by treating it for mercaptans.

To test, it is necessary to first make two stock solutions:

One of copper sulphate which is done by dissolving 4.1 grams in a little water and bringing the volume up to one litre with distilled water.  (Use 10 ml of this solution with 90 ml of distilled water to make 100 ml total for the lab test.)

One of ascorbic acid which is done by dissolving 10 grams in a little water and bringing the volume up to one litre with distilled water.

Next, put 100 ml of the suspect wine into three glasses.  Use the first glass as the control.  Put 5 drops of the diluted copper sulphate solution into glass number two and stir well.  Into glass number three, put 5 drops of the ascorbic acid solution, stir well and, after a few minutes, add 5 drops of the copper sulphate solution and stir well.  The following table illustrates the possible results.

Possibilities

Glass Number2
Copper Sulphate

Glass Number 3
Ascorbic Acid/Copper
           Sulphate

Results

             First 

No change in smell

No change in smell

Not a sulfide problem

          Second

No change in smell 

Reduction or elimination of smell 

Disulfide

           Third

Reduction of smell

Elimination of smell

H2S, mercaptan  and disulfide

          Fourth

Elimination of smell

Elimination of smell

H2S and/or mercaptan 

After Yair Margalit: Winery Technology & Operations.

If disulfide is not present, addition of the copper solution will help; if disulfide is present, both ascorbic acid and copper sulphate must be used.  To determine the amount of the copper solution to use, set up a series of glasses with 100 mls of wine and add 0.05 ml, 0.1 ml, 1.5 ml, etc. of the solution.  Check the smell of each glass and select the first one that no longer smells.  The addition of the copper solution used is the equivalent in parts per million of copper sulphate addition.  Thus 0.1 ml = 0.1 ppm.  To treat a 19 litre carboy of wine with 0.1 ppm requires 0.1 ppm x 19 = 1.9 ml of the stock copper solution.

Prior to adding the copper solution, add about 25 ppm of ascorbic acid, or about 0.5 grams in a 19 litre carboy.  Stir in well and wait at least one day before adding the copper solution.

Ascorbic acid in conjunction with copper sulphate works very well, but it is not instantaneous; it takes several days before the odour and taste disappear.  Do not exceed the recommended dosage of copper sulphate or you may induce a copper haze which will be difficult to remove. 

Remember,H2S (volatile) à mono-mercaptans (becoming bound) à poly-mercaptans (bound), so deal with the problem as soon as it is detected.  This process is not discrete: that is, while H2S is present, it is likely that mono-mercaptans are forming; and poly-mercaptans may be forming before the H2S in its volatile form disappears.  Research shows that mercaptan formation occurs within two days after the beginning of fermentation and is at its peak at about two months after which the poly-mercaptans become dominant.  Since most winemakers barrel-age their wines for much longer periods, if H2S has been detected and removed in the early stages, constant checking for mercaptan odours is critical since the barrel is where the mercaptans are formed, and they will continue to develop in the bottle.

Problems during fermentation

Problem Fermentation has not started at  2 days since yeast was added.
Diagnosis 1.Lag time.
2.Fermentation may be occurring without evident signs (eg bubbles)
Cause 1.Natural period where the yeast builds its cell count in initial stages of fermentation. 2.Incomplete seals on fermentation vessel or natural lack of kraeusen
Solution Prevention 3. Use a hydrometer to see if the sugar concentration has dropped from its OG. If it has then it is fermenting.
4. Reduce lag time by using a good strain of yeast, ensure it is not pitched at a low temperature. Rehydrate the yeast in tepid water prior to use to reduce lag time.
Take liquid yeast out of the fridge to room temperature before usage. Give the yeast time to catch. This is not a problem but part of the natural process which can be helped or reduced.
5. Check seals on fermentation vessel; use a hydrometer to see if the sugar concentration has dropped from its OG. If it has then it is fermenting. This is not a problem so long as the sanitary environment of the fermentation vessel is not compromised by a leak or crack
6.Bear in mind different conditions provide varying patterns in the natural process of fermentation. Exercise patience.
7. Try making up a yeast starter in future to increase the number of yeast cells prior to pitching, simply sterilise a jar and introduce the yeast to a small measure of dissolved malt extract a few days in advance, continue adding sugar over time until you are ready to pitch the yeast.
8. Ensure the must is sufficiently aerated before pitching your yeast, yeast requires oxygen for the initial stages of fermentation.
   
Problem Fermentation has not started and it has been over 3 days.
Diagnosis 1.Fermentation may be occurring without evident signs (eg bubbles)
2.Bad Yeast. Yeast may not have  worked or may be damaged and really struggling.
3.Must got too cold
4.Must was too hot
Cause 1.Incomplete seals on fermentation vessel or natural lack of kraeusen.
2.Check the age of the yeast, it may have gone out of date. Some yeast sachets are not fully viable.
3. Yeast goes into hibernation when it is too cold, check the fermentation temperature.
4. Yeast damaged by being pitched into must before the must was cooled beneath 30 degrees Celsius.
Solution Prevention 1.Use a hydrometer to see if the sugar concentration has dropped from its OG. If it has then it is fermenting.
2.Purchase new yeast; ensure it is for the right style. Have spares just in case.
3. Ensure must is between 17 - 29 Degrees Celsius before pitching yeast.
   
Problem Wine appeared to be fermenting but then stopped before schedule
Diagnosis 1.Stuck Fermentation Completed Fermentation
Cause 1. Too cold - If temperature dropped overnight the yeast may have gone into hibernation.
2. Inappropriate choice or preparation of yeast for wine
3. Environment became too warm -Likely to have completed the fermentation extremely quickly. Not likely to have killed the yeast
4.Yeast was particularly strong and completed fermentation quickly
Solution Prevention 1.Stir the wine and get put in a warmer room.
Ensure the wine sits in condition between 16 - 26 degrees Celsius.
2.Ensure the appropriate choice and preparation of yeast. For high gravity wines pitch more than a sachet or make a yeast starter. Aerate the must appropriately. Rehydrate yeast prior to use.
3. Quick fermentation or fermentation at high temperatures can produce esters and off flavours so check by looking and sniffing, leave in secondary fermentation for a short period  before bottling.

Check everything with the hydrometer for the most accurate information on the progress of the fermentation.

Bear in mind different conditions provide varying patterns in the natural process of
   
Problem Mold, floating green or white spots, hairs.
Diagnosis Mold, Bacterial infection.
Cause 1.Poor storage or fermentation environment. Musty or damp areas are more likely to lead to
such infections.
2.Poor sanitisation regime.
Solution Prevention 1.Some sources say such infections can be skimmed off the top but it is highly recommended that the batch will need to be poured away.
2.Chance storage conditions; ensure the wine is fermenting in preferably in dry shaded conditions.
3.Thoroughly sanitise all equipment after an infection so the problem does not resurge.
4.If the problem persists you may need to buy new fermentation bins.
   
Problem Final Gravity (FG) seems too high
Diagnosis 1)Stuck fermentation
2) Low attenuating yeast or extract
3) Mashing too highly
Cause 1. Too cold- If temperature dropped overnight the yeast may have gone into hibernation.
Inappropriate choice or preparation of yeast for wine. Environment became too warm-Likely to have completed the fermentation extremely quickly. Not likely to have killed the yeast. Yeast was particularly strong and completed fermentation quickly.
2. Yeast has fermented as much as it can or must is high in un-fermentable sugars.
Solution Prevention 1.Use a hydrometer to see if the sugar
concentration has dropped from its OG. If it
has then it is fermenting. Purchase new yeast;
ensure it is for the right style. Have spares just
in case. Ensure must is between 17-29 Degrees Celsius before pitching yeast.
2.Only a problem is the sweetness is intrusive on the overall impression of the wine. If so add highly attenuating yeast or fermentation ‘re-start’yeast
   
Problem Original Gravity (OG) seems too low when measured on the hydrometer.
Diagnosis 1. Poor ‘must’ efficiency in extracting sugars.
2. Not enough sugars added.
3. Sugars not fully dissolved in the must
Cause  
Solution Prevention 1. Use warm water and/or vigorous stirring to fully dissolve any sugars before topping up with cold water or adding to the must.
2. Add more sugar dissolved to the must.
3. See ‘preparing a must’ for methods of improving your efficiency of the must
   
Problem Wine is Hazy
Diagnosis 1. Pectin Haze
2. Yeast Haze
3. Protein Haze
Cause 1. Pectin Haze-Presence of pectin, found in rich fruits, often used to coagulate jam.
2. Yeast uses the sugars and nutrients to multiply. As a result there is a lot of yeast left at the end of the fermentation. Some yeasts fall out of solution (flocculate) if given time and patience, others need some encouragement.
Solution Prevention 1. Use pectolase, pectin destroying enzyme, in the must for great efficiency or at any other stage in the process.
2. Patience and racking (transferring between vessels leaving the yeast behind) are a good means of letting the majority of yeast to settle out and be removed.To remove more stubborn hazes use finings or filtering. If Finings are not working the co2 may be preventing them from working, stir the wine to remove co2 and then add more finings. These methods may be used on many protein hazes as well.
   
Problem Thick foam has formed on top of the wine.
Diagnosis Natural result of fermentation. (Kraeusen)
Cause The kraeusen is a consequence of yeast rehydrating. The co2 the yeast produces carries yeast to the surface forming this layer. It can be somewhat protective, stopping microbes from falling directly into the wine.
Solution Prevention This is not a problem but provides a reason for racking your wine after primary fermentation to a secondary fermentation vessel, to ensure reduced yeast while bottling.
   
Problem Thick foam (kraeusen) has not formed on top of the wine.
Diagnosis Natural lack of kraeusen.
Failed fermentation.
Cause The kraeusen is a consequence of yeast re-hydrating. Sometimes the kraeusen naturally doesn’t form, but the  wine will still be fermenting, so it is not a problem.
Solution Prevention Check surface of wine for any sign of small bubbles. Shine a torch through the fermentation vessel to reveal if bubbles are forming within the wine. Check the wine is fermenting using a hydrometer. If it is not fermenting then it may be that the fermentation never began or has become stuck.
   
Problem The thick foam is coming through the airlock and causing a mess. The Airlock is clogged.
Diagnosis Blowout.
Cause 1. Vigorous fermentation.
2. Fermentation vessel too small.
Solution Prevention 1. Fit a blow off pipe, tubing instead of an airlock which runs into a jug of water. Some wine is lost in this process.
2. If using a 25 litre fermentation vessel for a 23litre batch of wine, think about purchasing a larger vessel.
   
Problem A peculiar surface has formed on the surface in secondary fermentation. It is definitely not a krausen.
Diagnosis Infection. Oily residue
Cause Poor sanitisation or exposure of wine. Infections take many forms. Closer identification of the infection may be yielded by smell. Hop oils or residue can form a slight film. This is of no concern.
Solution Prevention Improve sanitising regime. Check seals on fermentation vessel and reduce air contact or exposure time. Thoroughly sterilise equipment after pouring infected batch away. If the problem persists you may need to buy new fermentation bins.
   
Problem

The tap on the fermenter is leaking

Diagnosis Too tight or loose. Perished seals.
Cause If the tap has been tightened too much the rubber washer can be put out of place.
Solution Prevention We recommend that you only attach a tap to a bottling vessel, having a tap on a primary fermentation vessel causes more problems than it solves in our experience. Check the washers and o-rings for wear. Check tightness of tap. Seals can be completed by the application petroleum jelly.
   
Problem Thin whitish growth on surface of wine, steadily growing. 
Diagnosis Flowers of wine (fleur)
Cause Wild yeast infection.
Solution Prevention Improve sanitising regime. Check seals on fermentation vessel and reduce air contact or exposure time. Thoroughly sterilise equipment after pouring infected batch away. If the problem persists you may need to buy new fermentation bins.
   

Wine Descriptions

 

Barbera: Long-aging, full body, robust red wine with intense fruit and enhanced tannic content. Barbera is a full-bodied, very fruity, favors are berrylike, dry, tannic(tart), strongly vinous to taste. Barbera is a red Italian wine grape variety that, as of 2000, was the third most-planted red grape variety in Italy (after Sangiovese and Montepulciano). It produces good yields and is known for deep color, low tannins and high levels of acid.

Cabernet Franc: Semi-classic grape similar in many ways to Cabernet Sauvignon. Light to medium body with more immediate fruit than Cabernet Sauvignon. Wine from these grapes has a deep purple color, when young, with a fragrant aroma.

Carernet Sauvignon: Cabernet Sauvignon is a dry, full-bodied, highl distinctive wine.  Green olive, bell pepper, black-currant, blackberry, mint

Gamay Beaujolaris:  very fruity, tart, spicy and a appealing wine. Drank as a young wine.

Carnelian: fruity tart

Chardonnay: Possessing a fruity character - (e.g: Apple, lemon, citrus, ripe-grape, intensity increases with degree of ripeness of grapes), subsequent barrel-influenced flavors include “oak”, “vanilla”, and malo-lactic fermentation imparted “creamy-buttery” components.

Charbono: Similar in style to California Barbera

Chenin Blanc: It has a aroma of honeysuckle, honey and flowers, quince and arpicot. It should taste fruity, appetizing, but overall not highy distinctive. It may be dry or slightly sweet.

Grenache: fruity, estery may become harsh

Gewurztraminer: White wine with a strong floral aroma and lychee nut like flavor. also may be spicy.  It will have a musky, spicy, rose-scented aroma.

Johannisberg Riesling: flowery, fruity dry wine with high acid and low alcohol not unlike the german “Kabinett” version or a semi-dry style with some residual sugar similar to the german “Spatlese” version

Malbec:The wine of the Malbec is highly colored and markedly tannic.  It is well constituted but the aroma is somewhat feeble, which is why preferences often given to the cabernet and merlot.

Merlot: Resemblance to Cabernet Sauvignon wine, with which it is sometimes blended, but is usually not so intense, with softer tannin. green olive

Nebbiolo: Fruity, licorice, huge, tannic wines that at their best can take decades to mature

Petite Sirah: Comparatively full flavored wines

Pinot Noir: Cherished aromas and flavors often detected are cherry, strawberry, mint, raspberry, pepperminty, truffles, and the ubiquitous gamey odor in new wines often referred to as “animale’” by the french winemaker.

Riesling: flowery, light bodied and usually dry.

Grey Riesling: (not a Riesling at all) is a comparatively neutral wine.

Sauvignon Blanc: Its aroma is of red currant/gooseberry that is sometimes vegetal or “catty”. It shows a tendency towards a grassy, herbaceous flavor in the wine when the grapes are grown in temperate regions. In warmer regions, the flavors and aromas tend to be more citruslike, (e.g: grapefruit or pear), plus the characteristic “earthy” taste

Semillon: Fruity, white wine.

A blind tasting works best when you want to compare different varieties of grape such as Chardonnay, Pinot Grigio, Shiraz, and Pinot Noir. It can add a bit of fun to these wine tasting party ideas because it gets your guests more involved. This can work well as an ice breaker or for parties with large numbers.

You want your guests to enjoy some great tasting wines and maybe learn something new along the way. The last thing you want is for people to feel intimidated or that they can't contribute.

Price Wars

One of my favorite wine tasting party ideas is a variation on a blind tasting. Make half the wines affordable everyday wines and the other half more expensive fine wines. Have everyone taste the wines blind and rank them in order of price from low to high, along with their reasons and which they preferred. You might be surprised to find expensive wines ranking low and vice versa

 

If numbers are small, say 6 -12 people, I think it's preferable to seat everyone around a table and structure it like a dinner party. This way, not only is there plenty of space for glasses and bottles, but it creates an intimate environment for everyone to discuss and share. Plus you can control the pace of the wine tasting more easily, moving onto the next one when everybody is ready. So let the size of your table dictate the best number of guests. Alternatively, for a more relaxed vibe you could arrange everyone on soft chairs around a smaller coffee table in the middle of your sitting room. You can apply these wine tasting party ideas to either set up.

 

Make sure you provide plenty of supplies for people to take notes; that includes not only paper and pens, but also clipboards or other flat writing surfaces, in case your table ends up covered in wineglasses. Offer plenty of water and spittoons (opaque plastic cups work), as well as a dump bucket. Ask folks to rank their favorite wines in order, or ask everyone to score on the same numeric scale, and then you can average the scores or figure out the group's order of preference. I suggest unveiling the wines starting with the group's lowest-scoring bottle. Have fun!

Six to eight different wines is max for the casual party. It's best to serve about 2 ounces of each wine for tasting purposes. So, for eight guests, one bottle of each wine to be tasted should be sufficient. Keep more bottles on hand to sip with the food that comes later.
 
Brown paper bags might seem tacky, but they're effective, cheap, and easy to find. Some of my friends wrap bottles in aluminum foil, and there's a myriad of other wine bottle gift bags in the market that might better match your decor. And don't forget good old-fashioned paper and tape. You could also pour the wines into glass decanters if you feel the wines would benefit from this additional aeration. Decanters also mask distinguishing bottle shapes, and they don't tip people off to extra-heavy bottles that might indicate a higher price tag.
 
What to Eat
There's something about a wine tasting that begs for a good selection of cheese. If you're serious about getting a clear, unaffected taste of the wine, you should hold the food until later. But once the sampling is over, toast your newfound favorites over a spread of well-chosen cheeses.
 
A blind tasting works best when you want to compare different varieties of grape such as Chardonnay, Pinot Grigio, Shiraz, and Pinot Noir. It can add a bit of fun to these wine tasting party ideas because it gets your guests more involved. This can work well as an ice breaker or for parties with large numbers.

The wine labels are hidden and guests try to identify the country, grape, and perhaps the price point from the appearance, aroma, and taste of the wine.

Bear in mind if your guests aren't already familiar with different wines, a blind tasting can be a bit of a wild stab in the dark. Therefore, I think it's a good idea to print off some short descriptions explaining the qualities and flavors associated with the different wines—to help guide people in the right direction.

For example, if you're tasting three white wines provide short notes about four of five different white wines (always provide more descriptions than wines so some act as 'red herrings' and they can't just work out which is which by process of elimination). So if one of your wines is a Viognier the notes might explain that it is a dry wine that typically has a deep golden color with a powerful, rich aroma like apricots and orange blossoms and a distinctive tropical fruit flavor of apricot, peach or pineapple and a creamy mouth feel. Your guests can then refer to their notes when tasting each wine to see if they can identify which wine is which by recognising its flavor profile.

blind tastingAs they taste and discuss each wine, have your guests make a note of which they think it is, the country of origin, the price point, and which is their favorite. At the end reveal all the answers and see who has correctly identified the most wines. It's often interesting to see whether people preferred the old world wines or the new world ones, or the cheaper ones to the more expensive. Sometimes it turns out to be the opposite of what's expected—that's the beauty of a blind tasting.

You can make these wine tasting party ideas as difficult or easy as you like, for instance you might want to tell everyone the country of origin of each wine as a starting clue, or you could make things more competitive by splitting people into teams (men v women usually brings out everyone's competitive
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